This episode of Carnets filmés, Délices lointains, which spans the year 2004, reaches its climax in its last part with my trip to Mexico with the photographer Barbara Peón Solis.

A woman living in the projects decides to run for mayor. At first she is taken as a joke but slowly picks up steam and is taken serious.

The head of a school in a little French country town encourages the playful romances between his young students, as well as a love of jazz music.

Jean Eustache (1938-81) was clearly obsessed with remakes. Not only did he remake his 1968 documentary about his home town, LA ROSIÈRE DE PESSAC, in 1979; he also remade his 1977 documentary UNE SALE HISTOIRE twice—first as a fiction film, and then, less literally, as a documentary about Bosch’s “The Garden of Earthy Delights” two years later. Let me explain. The first version of UNE SALE HISTOIRE, designed to be shown second, and shot in 16mm, features Jean-Noël Picq recounting a supposedly real-life “dirty” story to a group of people, mainly women (although also including Eustache himself, visible in the foreground of a couple of shots)—a tale about peering for hours through a hole in the wall of a café into the ladies room in order to watch the snatches of women seated on the toilet. (He calls the women’s snatches their “holes,” and the word trou is repeated incessantly throughout his monologue.) The second version, shot in 35mm and designed to be shown first, adds a short prologue with critic Jean Douchet as a film director (an apparent stand-in for Eustache) asking Michael Lonsdale to tell the same story, this time to a different group of people (again mainly women, but not including Eustache)—which he does, using virtually the same words, while the women listeners make precisely the same comments. (The only previous time I saw this film, in Paris soon after it was made, these separate versions were shown respectively in 35mm and 16mm. In the Eustache retrospective currently touring in the U.S., they’re both shown on 35mm, which obscures some of the visual differences.) As for HIERONYMOUS BOSCH’S “THE GARDEN OF EARTHLY DELIGHTS”, this shows Picq again, in a different living room, describing and discussing Bosch’s famous triptych (see photo below), mainly the middle panel, to a group of young people, again mainly women, who again add a few comments of their own. The main emphasis here is on various body orifices. An obsessive-compulsive filmmaker and clearly a tormented one who wound up dying by his own hand, Eustache was clearly experimenting with his variations as well as goading viewers into examining their own reactions to them. The monologue in both versions of UNE SALE HISTOIRE evokes many of the interminable monologues of Jean-Pierre Léaud in THE MOTHER AND THE WHORE (1973), all of which were reportedly real-life monologues that Eustache delivered to friends or lovers and then transcribed shortly afterwards.

This romantic fairy tale is based on a story by German writer Theodor Storm. It tells the story of two young children, Kristian and Elke, who, thanks to their bravery and honesty, manage to overcome the Fire Lord, the evil Iris, to free the Rain Fairy and save the whole Earth from drought and thirst.

暂无剧情简介

Set in 1776, this historical film by Petr Hvizd concerns an army deserter who takes refuge within the walls of the Convent of St. Claire. The investigation to find him soon becomes a question of morality concerning the value of human life in the context of the diversity and hierarchy of social laws.

Deshu, a mechanic from Dubai, comes home to Mumbai, and gets embroiled in a crime by accident. The film shows his meteoric rise from common, law-abiding man to underworld kingpin.

兵藤一诚本是一个平凡的高中生，却莫名其妙地在第一次约会当中被真身为堕天使化身的女友杀害！“你已经转生变成恶魔了。为我工作吧！”在生命垂危之际，一诚被学校的学姐莉雅丝·吉蒙里所拯救，而代价则是被真实身份是恶魔的莉雅丝转生成她的恶魔随从。一诚为了主人的胸部还有自己的梦想，就此开始了“刺激”与“危险”的新生活！